reviously, artificial neural networks have been used to capture only the informal properties of music. However, cognitive scientist Michael Dawson found that by training artificial neural networks to make basic judgments concerning tonal music, such as identifying the tonic of a scale or the quality of a musical chord, the networks revealed formal musical properties that differ dramatically from those typically presented in music theory. For example, where Western music theory identifies twelve distinct notes or pitch-classes, trained artificial neural networks treat notes as if they belong to only three or four pitch-classes, a wildly different interpretation of the components of tonal music.
Intended to introduce readers to the use of artificial neural networks in the study of music, this volume contains numerous case studies and research findings that address problems related to identifying scales, keys, classifying musical chords, and learning jazz chord progressions. A detailed analysis of the internal structure of trained networks could yield important contributions to the field of music cognition.
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This book is licensed under a Creative Commons License (CC BY-NC-SA). You can download the ebook Connectionist Representations of Tonal Music for free.
- Title
- Connectionist Representations of Tonal Music
- Subtitle
- Discovering Musical Patterns by Interpreting Artificial Neural Networks
- Publisher
- Athabasca University Press
- Author(s)
- Michael R. W. Dawson
- Published
- 2018/4/24
- Edition
- 1
- Format
- eBook (pdf, epub, mobi)
- Pages
- 312
- Language
- English
- ISBN-10
- 1771992204
- ISBN-13
- 9781771992206
- License
- CC BY-NC-SA
- Book Homepage
- Free eBook, Errata, Code, Solutions, etc.
List of Figures List of Tables Acknowledgements Overture: Alien Music Chapter 1: Science, Music, and Cognitivism Chapter 2: Artificial Neural Networks and Music Chapter 3: The Scale Tonic Perceptron Chapter 4: The Scale Mode Network Chapter 5: Networks for Key-Finding Chapter 6: Classifying Chords with Strange Circles Chapter 7: Classifying Extended Tetrachords Chapter 8: Jazz Progression Networks Chapter 9: Connectionist Reflections References / Index